[L]uxury always comes at someone else’s expense. One of the many advantages of civilization is that one doesn’t generally have to see that, if one do… - Caitlín R. Kiernan
" "[L]uxury always comes at someone else’s expense. One of the many advantages of civilization is that one doesn’t generally have to see that, if one doesn’t wish. You’re free to enjoy its benefits without troubling your conscience. (Ancillary Justice)
About Caitlín R. Kiernan
Caitlín Rebekah Kiernan (born 26 May 1964) is an Irish-born American author, paleontologist, and prolific blogger perhaps most famous for the novels The Drowning Girl: A Memoir and The Red Tree. Kiernan is a two-time recipient of both the World Fantasy and Bram Stoker awards.
Biography information from Wikiquote
Also Known As
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Caitlín R. Kiernan
And it means snapshots, because that's what all stories I write come down to; each is a snapshot of who I was during however many days and weeks it was written. A fictional reflection of my mind fossilized, set in paper and ink, instead of stone. Memorialized, for better or worse. This is who I was, and this, and this, and this, and that, and most times I look back and wince. I'm rarely kind to who I was. But other times, looking back is bittersweet. Sometimes, I'm even grateful to the me of then who left a snapshot for the me of now. Maybe I should let go and join those who pretend the past is past, but it's a falsehood I've never learned to spin.
Limited Time Offer
Premium members can get their quote collection automatically imported into their Quotewise collections.
O que mais tememos não é o conhecido. O conhecido, por mais horrível ou prejudicial à existência, é algo que podemos compreender. Sempre podemos reagir ao conhecido. Podemos traçar planos contra ele. Podemos aprender as suas fraquezas e derrotá-lo. Podemos nos recuperar de seus ataques. Uma coisa tão simples quanto uma bala poderia ser suficiente. Mas o desconhecido desliza através de nossos dedos, tão insubstancial quanto o nevoeiro.