You must have something new in a landscape as well as something old, something that's dying and something that's being born. - Andy Goldsworthy

My sculpture can last for days or a few seconds — what is important to me is the experience of making. I leave all my work outside and often return to watch it decay.

A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for feelings and ideas that function on many levels. Occasionally I have come across a last patch of snow on top of a mountain in late May or June. There's something very powerful about finding snow in summer. It's as if the whole of winter has drained through that white hole — a concentration of winter.

I find some of my new works disturbing, just as I find nature as a whole disturbing. The landscape is often perceived as pastoral, pretty, beautiful – something to be enjoyed as a backdrop to your weekend before going back to the nitty-gritty of urban life. But anybody who works the land knows it's not like that. Nature can be harsh – difficult and brutal, as well as beautiful. You couldn't walk five minutes from here without coming across something that is dead or decaying.