We’re talking about a claim to storytelling. We are taught that a valid or useful education is one in medicine, science, bioengineering. That storyte… - Ocean Vuong
" "We’re talking about a claim to storytelling. We are taught that a valid or useful education is one in medicine, science, bioengineering. That storytelling, or the ‘liberal arts’, are defunct or fading. Yet, in the Fortune 500 companies, in the Googles, the Amazons and the Facebooks, they’re obsessed with storytelling. So you can have technology, but it’s moot if you do not have a story to provoke it. We also see this in political campaigns. They’re all about manipulation of story. I agree with you a hundred per cent, the urgency of the moment now is to create new myths.This is also informed by Buddhism, because Buddhist practice is so interested in lucid dreaming. Monks constantly practice lucid dreaming. If you can be aware that you are dreaming, then you can also be aware that you are being foggy or ignorant in the living stage. This sharpens your ability for discernment, and the capacity to look at the world more clearly. Buddhism is very clear to me because it is this feeling, above all else – above even the object – that matters. So reading is not about the book, it’s about the transition of the thought, orchestrated through language, into the brain. That’s why it’s so real to us. I think that’s very true to how we live: sometimes the feeling is much more than the world can support. That’s why myth-making, like you said, is where we’re going. That’s the future.
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About Ocean Vuong
Ocean Vuong (born Vương Quốc Vinh; October 14, 1988) is a Vietnamese American writer, poet and essayist.
Also Known As
Alternative Names:
Vương Quốc Vinh
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Additional quotes by Ocean Vuong
The incredible thing that I can never quite understand was how they were able to kick them all out. The men had access to jobs, money, a patriarchal presence in the world, and even though they had troubles too, as immigrants and refugees, we come from a patriarchal tradition in the old country just as deeply rooted as in the west. In some cases, when men are talking to each other, women aren’t supposed to even be in the room. So that was what they were coming out of. And to think divorce?! These things were still taboo where they came from. And they all really did it.
When I lost my mother, I thought, there's no point. Everything I have done, I'd done for her. I went to school for her. She gave me no pressure. You know, and it's important for me to say this because, you know, there's a stereotype of the Asian tiger mom. My mother was never such a mother. She said, whatever you want to do, as long as you're happy, you can do it. And worse comes to worst, she points to the desk. She works in a nail salon. She points to the desk beside her. There's always an empty desk in the salon. She says, you can sit down right here, and then we'll work together. So I had ultimate freedom to explore. And I think for me, you know, that freedom really was all to serve her. It was, how do I help my mother get out of the projects? Every immigrant has that dream.
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This book is as much a coming-of-age story as it is a coming-of-art. I would say that I begin with the voices of those I care for, family or otherwise, and follow them until they drop off, until I have to create them in order to hear them. My writing is an echo. In this way, On Earth is not so much a novel, but the ghost of a novel. That’s the hope anyway.
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