He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggern… - William Faulkner

He puts his shoes on, stomping into them, like he does everything, like he is hoping all the time he really cant do it and can quit trying to.

"I be dog if hit don't look like sometimes that when a fellow sets out to play a joke, hit ain't another fellow he's playing that joke on; hit's a kind of big power laying still somewhere in the dark that he sets out to prank with without knowing hit, and hit all depends on whether that ere power is in the notion to take a joke or not, whether or not hit blows up right in his face, like this one did in mine. ("A Bear Hunt")"

Do you mark how the wisteria, sun-impacted on this wall here, distills and penetrates this room as though (light-unimpeded) by secret and attritive progress from mote to mote of obscurity's myriad components? That is the substance of remembering — sense, sight, smell: the muscles with which we see and hear and feel — not mind, not thought: there is no such thing as memory: the brain recalls just what the muscles grope for: no more, no less: and its resultant sum is usually incorrect and false and worthy only of the name of dream. — See how the sleeping outflung hand, touching the bedside candle, remembers pain, springs back and free while mind and brain sleep on and only make of this adjacent heat some trashy myth or reality's escape: or that same sleeping hand, in sensuous marriage with some dulcet surface, is transformed by that same sleeping brain and mind into that same figment-stuff warped out of all experience. Ay, grief goes, fades; we know that — but ask the tear ducts if they have forgotten how to weep