What they are saying is okay [the Futurist artists like Severini, Carra and Russolo, who debated in Paris intensively with the Cubist artists]. - Robert Delaunay

'Simultaneousness' is a technique. Simultaneous contrast is the most up-to-date honey of this technique in this field. Simultaneous contrast is visible depth – Reality, Form, construction, representation. Depth is the new inspiration. We live in depth, we travel in depth. I’m in it. The senses are in it. And the mind is too.

The need for a new subject has inspired the poets, launching them onto a fresh path and bringing to their attention to poetry of la Tour [the Eiffel tower in Paris], which communicates mysteriously with the whole world. Rays of light, waves of symphonic sounds. Factories, bridges, iron structures, airships, the numberless gyrations of aeroplanes, windows seen by crowd simultaneously.

This happened in 1912. Cubism was in full force. I made paintings that seemed like prisms compared to the Cubism my fellow artists were producing. I was the heretic of Cubism. I had great arguments with my comrades who banned color from their palette, depriving it of all elemental mobility. I was accused of returning to Impressionism, of making decorative paintings, etc.. .I felt I had almost reached my goal.