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The phrases, "happy ending" and "unhappy ending" are misnomers. They belong to an era when the public demanded a saccharine finish to every picture, … - Cecil B. DeMille
" "The phrases, "happy ending" and "unhappy ending" are misnomers. They belong to an era when the public demanded a saccharine finish to every picture, irrespective of whether or not it was logical. Film-goers of 1933 insist upon a new standard in their screen entertainment. They are not particularly concerned about the ending of a picture so long as it is truthful. Naturally, they do not want a preponderance of depressing themes, but I am firmly convinced that they would rather witness a tragic finish that is truthful and logical than a sugar-coated ending that is not. In The Sign of the Cross the problem of bringing the story to a close is one that would have been difficult a few years ago, when the sugary tradition ruled the film industry. But now that the words "happy" and "unhappy" have been deleted from cinema terminology, our task was simplified, and we gave an ending which appeals to logic and intelligence.
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About Cecil B. DeMille
Cecil Blount DeMille (August 12, 1881 – January 21, 1959) was an American filmmaker. Between 1914 and 1958, he made a total of 70 features, both silent and sound films. He is acknowledged as a founding father of the American cinema and the most commercially successful producer-director in film history. His films were distinguished by their epic scale and by his cinematic showmanship. His silent films included social dramas, comedies, Westerns, farces, morality plays, and historical pageants.
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Native Name:
Cecil Blount DeMille
Alternative Names:
Cecil B. de Mille
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Cecil De Mille
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Cecil B DeMille
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Cecil B. De Mille
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Additional quotes by Cecil B. DeMille
Motion pictures are visualized thought! Do you grasp how different that is from any other of the great arts? The printed word is reserved to those only who can read the language of the publication; music is for the ear that appreciates harmony (not every ear does that), but motion pictures are the universal language, as comprehensive to the American as to the Japanese, as understandable to the African as to the man in the Arctic. Motion pictures are human nature picturized and human nature is the same the world over in every clime.
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