When I was born 20.6. 87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my moth… - Kurt Schwitters

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When I was born 20.6. 87, I was influenced by Picasso to cry. When I could walk and speak I still stood under Picasso's influence and said to my mother: 'Tom' or 'Happening', meaning the entrances of the canal under the street. My lyrical time was when I lived in the Violet Street. I never saw a violet. That was my influence by Matisse because when he painted rose I did not paint violet. As a boy of ten I stood under Mondrian's influence and built little houses with little bricks. Afterwards I stood under the influence of the Surrealists.. .I never stood under the influence of Dadaism because whereas the Dadaist created Spiegel-dadaismus (Mirror-Dada) on the Zurich Lake, I created MERZ on the Leine-river, under the influence of Rembrandt. Time went on, and when Hans Arp made concrete Art, I stayed Abstract. Now I do concrete Art, and Marcel Duchamp went over to the Surrealists.. ..and at all I have much fun about Art.

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About Kurt Schwitters

Kurt Schwitters (June 20, 1887 – January 8, 1948) was a German painter who played an important role in Dada. He worked in several genres and media, including Dadaism, Constructivism, Surrealism, poetry, sound, painting, collage, sculpture, typography and what came to be known as installation art.

Also Known As

Alternative Names: Herman Edward Karl Julius Schwitters Kurt Herman Edward Karl Julius Schwitters Curt Hermann Eduard Carl Julius Schwitters Schwitters Kurt Hermann Eduard Karl Julius Schwitters
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Additional quotes by Kurt Schwitters

Merz art strives for immediate expression by shortening the path from intuition to visual manifestation of the artwork.. ..they will receive my new work as they always have when something new presents itself: with indignation and screams of scorn.

I know that I am an important factor in the development of art and shall forever remain so. I say this with great emphasis, so that one can not say, at a later date: 'The poor fellow had no inkling of how important he was'. No I am no fool, nor am I timid. I know full well that the time will come for me and all other important personalities of the abstract movement, when we will influence an entire generation. However, I fear that I shall not experience this.

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