Four of the roses were on fire. They stood up straight and pure on the stalk, gripping the dark like prophets and howling colossal intimacies from th… - Anne Carson

I emphasize the distinction between brackets and no brackets because it will affect your reading experience, if you will allow it. Brackets are exciting. Even though you are approaching Sappho in translation, that is no reason you should miss the drama of trying to read a papyrus torn in half or riddled with holes or smaller than a postage stamp — brackets imply a free space of imaginal adventure.

how is a Greek chorus like a lawyer
they’re both in the business of searching for a precedent
finding an analogy
locating a prior example
so as to be able to say
this terrible thing we’re witnessing now is
not unique you know it happened before
or something much like it
we’re not at a loss how to think about this
we’re not without guidance
there is a pattern
we can find an historically parallel case
and file it away under
ANTIGONE BURIED ALIVE FRIDAY AFTERNOON
COMPARE CASE HISTORIES 7, 17 AND 49
now I could dig up those case histories
tell you about Danaos and Lykourgos and the sons of Phineus
people locked up in a room or a cave or their own dark mind
it wouldn’t help you
it doesn’t help me
it’s Friday afternoon
there goes Antigone to be buried alive

All myth is an enriched pattern,
a two-faced proposition,
allowing its operator to say one thing and mean another, to lead a double life.
Hence the notion found early in ancient thought that all poets are liars.
And from the true lies of poetry
trickled out a question.

What really connects words and things?