Hale: Here is all the invisible world, caught, defined, and calculated. In these books the Devil stands stripped of all his brute disguises. Here are… - Arthur Miller

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Hale: Here is all the invisible world, caught, defined, and calculated. In these books the Devil stands stripped of all his brute disguises. Here are all your familiar spirits — your incubi and succubi; your witches that go by land, by air, and by sea; your wizards of the night and of the day. Have no fear now — we shall find him out if he has come among us, and I mean to crush him utterly if he has shown his face!
Rebecca: Will it hurt the child, sir?
Hale: I cannot tell. If she is truly in the Devil's grip we may have to rip and tear to get her free.

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About Arthur Miller

Arthur Asher Miller (17 October 1915 – 10 February 2005) was an American playwright, essayist, and author. Widely recognized as one of the most significant American playwrights of the 20th Century, he won the Pulitzer Prize for Drama in 1949 for Death of a Salesman.

Biography information from Wikiquote

Also Known As

Pen Names: Jonathan Lovelett
Birth Name: Arthur Asher Miller

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Here is all the invisible world, caught, defined, and calculated. In these books the Devil stands stripped of all his brute disguises. Here are all your familiar spirits-your incubi and succubi; your witches that go by land, by air, and by sea; your wizards of the night and of the day. Have no fear now-we shall find him out and I mean to crush him utterly if he has shown his face!

Additional quotes by Arthur Miller

We have not many wills, but only one — it cannot be continuously compromised without atrophy setting in altogether.

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There is a misconception of tragedy with which I have been struck in review after review, and in many conversations with writers and readers alike. It is the idea that tragedy is of necessity allied to pessimism. Even the dictionary says nothing more about the word than that it means a story with a sad or unhappy ending. This impression is so firmly fixed that I almost hesitate to claim that in truth tragedy implies more optimism in its author than does comedy, and that its final result ought to be the reinforcement of the onlooker's brightest opinions of the human animal. For, if it is true to say that in essence the tragic hero is intent upon claiming his whole due as a personality, and if this struggle must be total and without reservation, then it automatically demonstrates the indestructible will of man to achieve his humanity.

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