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" "The world needs cinema now more than ever. It may be the last important form of resistance to the deteriorating world in which we live. In dealing with borders, boundaries, the mixing of languages and cultures today, I am trying to seek a new humanism, a new way.
Theodoros (Theo) Angelopoulos (Θεόδωρος Αγγελόπουλος); (27 April 1935 – 24 January 2012) was a Greek filmmaker, screenwriter and film producer. He dominated the Greek art film industry from 1975 onwards and was one of the world's most influential and widely respected filmmakers.
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I draw techniques from everything I've seen [...] I continue to love [...] very much the films of Murnau, Mizoguchi, Antonioni. More recently: Tarkovsky's Stalker, Godard's Every Man for Himself and of course Ordet. [...] But the only specific influences I acknowledge are Orson Welles, for his use of plan-sequence and deep focus, and Mizoguchi, for his use of time and off-camera space.