The knight's song and direction I found new, but not confused; He left our path, but strode strongly and confidently. When you want to evaluate, acco… - Richard Wagner

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The knight's song and direction
I found new, but not confused;
He left our path,
but strode strongly and confidently.
When you want to evaluate, according to rules, something which doesn't follow your rules,
You have to forget your own ways,
And seek out its rules!

English
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About Richard Wagner

Wilhelm Richard Wagner (22 May 1813 – 13 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama.

Also Known As

Pen Names: K. Freigedank H. Valentino
Alternative Names: Wilhelm Richard Wagner Wagner

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The error in the art-genre of Opera consists herein: a Means of expression (Music) has been made the end, while the End of expression (the Drama) has been made a means.

It is necessary for us to explain the involuntary repugnance we possess for the nature and personality of the Jews … The Jews have never produced a true poet. Heinrich Heine reached the point where he duped himself into a poet, and was rewarded by his versified lies being set to music by our own composers. He was the conscience of Judaism, just as Judaism is the evil conscience of our modern civilization.

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The July Revolution took place; with one bound I became a revolutionist, and acquired the conviction that every decently active being ought to occupy himself with politics exclusively. I was only happy in the company of political writers, and I commenced an Overture upon a political theme. Thus was I minded, when I left school and went to the university: not, indeed, to devote myself to studying for any profession — for my musical career was now resolved on — but to attend lectures on philosophy and aesthetics. By this opportunity of improving my mind I profited as good as nothing, but gave myself up to all the excesses of student life; and that with such reckless levity, that they very soon revolted me.

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