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" "The question of whether or not she would find it awkward being called "Mrs Nelson" remained unresolved; nobody in Scarsdale called her anything at all. Electric trains drew the men away to the city each morning and the children were swallowed up by the school. The women, alone in their big, impeccable houses, let their days slip away in endless rounds of triviality - or at least, that was the way Alice saw them in her mind's eye. She pictured them idling through easy household chores or giving instructions to their maids, and painting their fingernails and fixing their hair and compounding their lassitude by spending hours on the telephone with one another, talking of bridge clubs and luncheons and functions of the P.T.A. If their lives included anything more interesting than that she didn't learn of it, for none of them ever called her up or dropped in for a neighbourly visit - nor, apparently, did any of their husbands ever strike up an acquaintance with Sterling on the train. Scarsdale behaved as though Alice and Sterling didn't exist.
Richard Yates (February 3, 1926 – November 7, 1992) was an American fiction writer. His first novel, "Revolutionary Road" (1961), was a finalist for the 1962 National Book Award and is listed in Time Magazine's 100 Best Novels.
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"It took me a long time to figure out... that the best way to handle [the couple's dialogue] was to have them nearly always miss each other's points, to have them talk around and through and at each other. There's a great deal of dialogue between them in the finished book... but there's almost no communication." In other words Yates had remembered the lesson of his first great master, Fitzgerald—namely, that people rarely say what they mean, and good dialogue is a matter of catching one's characters "in the very act of giving themselves away".
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