my favorite illustrators and cartoonists in history were published (in the New Yorker) - Liniers

I always think that in a boxing match you should always put a normal person in there, to throw in some punches. You need something to just compare how good people really are at what they do!

So in my cartooning there's an influx of a lot of influences that are not only from cartooning, but to mention some: Hergé and Tintin, Quino and Mafalda, Art Spiegelman and Maus. And these works have influenced me more as a human being than as an artist. Also I could mention Woody Allen, Kurt Vonnegut, John Steinbeck as some others. A lot of my influences will show up in my daily strip, so I have strips were maybe Chaplin shows up, or strips where Snoopy shows up, or strips where I put a little phrase by Vonnegut or Steinbeck, or, you know, Harper Lee, stuff that I read while growing up. And knowing that they impacted me somehow. You know, Woody Allen, and Monty Python, and just all of that is in there, and also a lot of Latin American culture. So I am just this big salad full of different ingredients. And I generally don't think it's very nice when an artist tries to go like, "Hey, I just appeared out of nowhere! I am such an original." I mean, say thanks, man!

Buenas Noches, Planeta is a short story about a stuffed little deer, that my actual daughter has, and when I asked her what's the name of your new friend she said "Planeta," which is planet in English, and I thought it was the weirdest, funniest, coolest name I have ever heard for a stuffy. So then the story came out of that.