[Mamoulian] "[T]he majority of the films in the future will be done in color. Perhaps not immediately. Perhaps it will take three years or five years… - Rouben Mamoulian

There was a blue lamp on the table. Mr Mamoulian placed an orange against it for contrast. He shoved a green chair in front of a red curtain. He made caustic remarks about the visitor's tie, pointed out that it wouldn't look well against a yellow drape. He spoke of mosaics and color progression; of red for excitement, dark blue for dignity and rosemary for remembrance.
"If blood was green it wouldn't be exciting," he said.

In this unhappy, fragmented world of ours, overflowing with mutual suspicions, hostilities, violence, and destruction, we need a constructive force. Politics, economics, religions seem to fail. I think our best hope is in the arts. Today, the most powerful and universal and powerful medium of art and communication is in the film. In the last few years I've done a great deal of traveling to many countries, and I've been amazed at the impact of films on both the individuals and the societies of different nations. The influence is enormous. So we must all strive to elevate the quality of motion pictures. We must affirm and insist that the ultimate goal of a film, no matter what subject matter it deals with, is to add to the beauty and goodness of life, to the dignity of human beings and to our faith in a better future.

[In 1927] Porgy made me overnight. In it I tried all my ideas of a dramatic integration of many elements ... At this time I felt it should be possible, in a stage production, to take a snapshot of the stage picture at any moment, and record an artistic composition. So each movement and grouping was minutely rehearsed. The actors were often required to adopt poses which were neither comfortable nor natural, but which looked right on the stage. That's stage truth.