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" "She is not listening. If she could hear words like that she would not be getting down from this wagon, with that belly and that fan and that little bundle, alone, bound for a place she never saw before and hunting for a man she ain't going to ever see again and that she has already seen one time too many as it is.
William Cuthbert Faulkner (September 25, 1897 – July 6, 1962) was an American novelist and short story writer whose works feature his native state of Mississippi. He was regarded as one of the most influential writers of the twentieth century and was awarded the 1949 Nobel Prize for Literature.
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I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.
A street turned off at right angles, descending, and became a dirt road. On either hand the land dropped more sharply; a broad flat dotted with small cabins whose weathered roofs were on a level with the crown of the road. They were set in small grassless plots littered with broken things, bricks, planks, crockery, things of a once utilitarian value. What growth there was consisted of rank weeds and the trees were mulberries and locusts and sycamores — trees that partook also of the foul desiccation which surrounded the houses; trees whose very burgeoning seemed to be the sad and stubborn remnant of September, as if even spring had passed them by, leaving them to feed upon the rich and unmistakable smell of negroes in which they grew.
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Maybe nothing ever happens once and is finished. Maybe happen is never once but like ripples maybe on water after the pebble sinks, the ripples moving on, spreading, the pool attached by a narrow umbilical water-cord to the next pool which the first pool feeds, has fed, did feed, let this second pool contain a different temperature of water, a different molecularity of having seen, felt, remembered, reflect in a different tone the infinite unchanging sky, it doesn’t matter: that pebble’s watery echo whose fall it did not even see moves across its surface too at the original ripple-space, to the old ineradicable rhythm…