There is no doubt in my mind that, from the third-person point of view, monarchy is the most reasonable form of government. By embodying the state in… - Roger Scruton

Schopenhauer was not the only one of Hegel’s opponents to rest his faith in the unsayable. Soren Kierkegaard (1813-1855), in his attack on the prevailing Hegelian rationalism, sought to undermine the claim that ‘the real is the rational and the rational the real’, and so to reaffirm the value of that which, while real, lies beyond the reach of reason. But, lacking Schopenhauer’s gift of argument, and being indeed more literary than philosophical in his inclination, he did not set up any elaborate system of ideas whereby to postpone the recognition of his ultimate refuge. His principal interest was the vindication of the Christian faith, and he wrote directly or indirectly towards this end, inventing in the process the name, if not the philosophy of ‘existentialism’, for which achievement he is now chiefly known. His philosophy is a clear example of a reaction against idealism which is not also a form either of empiricism or skepticism. In the course of this reaction, it is once again the subject that is reaffirmed, as the ground of all philosophical thought.

Without the background of a remembered faith modernism loses its conviction: it becomes routinised. For a long time now it has been assumed that there can be no authentic creation in the sphere of high art which is not is some way a 'challenge' to the ordinary public. Art must give offence, stepping out of the future fully armed against the bourgeois taste for kitsch and cliché. But the result of this is that offence becomes a cliché.

Schopenhauer argues that the empirical world exists only as a representation: ‘every object, whatever its origin, is, as object, already conditioned by the subject, and thus is essentially only the subject’s representation.’ A representation is a subjective state that has been ordered according to space, time and causality – the primary forms of sensibility and understanding. So long as we turn our thoughts towards the natural world, and search for the thing-in-itself behind the representation is futile. Every argument and every experience leads only to the same end: the system of representations, standing like a veil between the subject and the thing-in-itself. No scientific investigation can penetrate the veil; and yet it is only a veil, Schopenhauer affirms, a tissue of illusions which we can, if we choose, penetrate by other means. The way to penetrate the veil was stumbled upon by Kant.