In dialectic the student … will get training in thinking, whereas the best that he gets now is a vague admonition to think for himself. - Richard M. Weaver

There is … a good deal of empirical evidence for saying that rationalistic men are more intolerant than “prejudiced” men. The former take the position that their judgments are reasoned conclusions, and why should one swerve or deflect from what can be proved to all reasonable men? Such are often the authors of persecutions, massacres, and liquidations. The man who frankly confesses to his prejudices is usually more human and more humane. He adjusts amicably to the idea of his limitations. A limitation once admitted is a kind of monition not to try acting like something superhuman. The person who admits his prejudices, which is to say, his unreasoned judgments, has perspective on himself. … When H. L. Mencken wrote his brilliant series of essays on men, life, and letters, he gave them a title as illuminating as it was honest—Prejudices. What he meant … was that these were views based on such part of experience as had passed under his observation. There was no apology because some figures were praised and others were roundly damned, and there was no canting claim to “objectivity.” Mencken knew that life and action turn largely on convictions which rest upon imperfect inductions, or sampling of evidence, and he knew that feeling is often a positive factor.

There is a sentimental poetry, and it will have to be exposed (not censored. certainly; for to omit criticism of it would deprive us of our fairest chance to combat the sentimental rhetoric of the student’s environment).

Cultural freedom is in special danger today because so much of our life has been politicized. … With governments which are popular and free, but which allow political sanction to pressures building up against certain types of cultural expression, … the pressure … moves to condemn on grounds which are social and political, and its desire is for uniformity, standardization, consolidation, and all the other features of Gleichschaltung, as it moves to protect from criticism and even from realistic depiction something over which people have become politically excited. In our American experience, these pressures have been largely social.