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" "Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the “past” has the implied purpose of downgrading present-day reality.
Max Ferdinand Scheler (August 22, 1874, Munich – May 19, 1928, Frankfurt am Main) was a German philosopher known for his work in phenomenology, ethics, and philosophical anthropology.
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The important thing is not the amount of welfare, it is that there should be a maximum of love among men. The act of helping is the direct and adequate expression of love, not its meaning or “purpose.” Its meaning lies in itself, in its illumination of the soul, in the nobility of the loving soul in the act of love. Therefore nothing can be further removed from this genuine concept of Christian love than all kinds of “socialism,” “social feeling,” “altruism,” and other subaltern modern things. When the rich youth is told to divest himself of his riches and give them to the poor, it is really not in order to help the “poor” and to effect a better distribution of property in the interest of general welfare. Nor is it because poverty as such is supposed to be better than wealth. The order is given because the act of giving away, and the spiritual freedom and abundance of love which manifest themselves in this act, ennoble the youth and make him even “richer” than he is.
But this instinctive falsification of the world view is only of limited effectiveness. Again and again the ressentiment man encounters happiness, power, beauty, wit, goodness, and other phenomena of positive life. They exist and impose themselves, however much he may shake his fist against them and try to explain them away. He cannot escape the tormenting conflict between desire and impotence. Averting his eyes is sometimes impossible and in the long run ineffective. When such a quality irresistibly forces itself upon his attention, the very sight suffices to produce an impulse of hatred against its bearer, who has never harmed or insulted him. Dwarfs and cripples, who already feel humiliated by the outward appearance of the others, often show this peculiar hatred—this hyena-like and ever-ready ferocity. Precisely because this kind of hostility is not caused by the “enemy's” actions and behavior, it is deeper and more irreconcilable than any other. It is not directed against transitory attributes, but against the other person's very essence and being. Goethe has this type of “enemy” in mind when he writes: “Why complain about enemies?—Could those become your friends—To whom your very existence—Is an eternal silent reproach?” (West-Eastern Divan). The very existence of this “being,” his mere appearance, becomes a silent, unadmitted “reproach.” Other disputes can be settled, but not this! Goethe knew, for his rich and great existence was the ideal target of ressentiment. His very appearance was bound to make the poison flow.
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All ancient philosophers, poets, and moralists agree that love is a striving, an aspiration of the “lower” toward the “higher,” the “unformed” toward the “formed,” … “appearance” towards “essence,” “ignorance” towards “knowledge,” a “mean between fullness and privation,” as Plato says in the Symposium. … The universe is a great chain of dynamic spiritual entities, of forms of being ranging from the “prima materia” up to man—a chain in which the lower always strives for and is attracted by the higher, which never turns back but aspires upward in its turn. This process continues up to the deity, which itself does not love, but represents the eternally unmoving and unifying goal of all these aspirations of love. Too little attention has been given to the peculiar relation between this idea of love and the principle of the “agon,” the ambitious contest for the goal, which dominated Greek life in all its aspects—from the Gymnasium and the games to dialectics and the political life of the Greek city states. Even the objects try to surpass each other in a race for victory, in a cosmic “agon” for the deity. Here the prize that will crown the victor is extreme: it is a participation in the essence, knowledge, and abundance of “being.” Love is only the dynamic principle, immanent in the universe, which sets in motion this great “agon” of all things for the deity.
Let us compare this with the Christian conception. In that conception there takes place what might be called a reversal in the movement of love. The Christian view boldly denies the Greek axiom that love is an aspiration of the lower towards the higher. On the contrary, now the criterion of love is that the nobler stoops to the vulgar, the healthy to the sick, the rich to the poor, the handsome to the ugly, the good and saintly to the bad and common, the Messiah to the sinners and publicans. The Christian is not afraid, like the ancient, that he might lose something by doing so, that he might impair his own nobility. He acts in the peculiarly pious conviction that through this “condescension,” through this self-abasement and “self-renunciation” he gains the highest good and becomes equal to God. … There is no longer any “highest good” independent of and beyond the act and movement of love! Love itself is the highest of all goods! The summum bonum is no longer the value of a thing, but of an act, the value of love itself as love—not for its results and achievements. … Thus the picture has shifted immensely. This is no longer a band of men and things that surpass each other in striving up to the deity. It is a band in which every member looks back toward those who are further removed from God and comes to resemble the deity by helping and serving them.