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" "Are they? As I am one of the filmmakers creating genre films and not a critic with a general overview of the trend or what is coming out, I’m glad to hear it. I am a huge fan of genre films and although I like to destroy or twist genre conventions, generally I operate within the boundaries of genre. There is a very specific kind of cinematic excitement that genre films can bring. And that is what I love about it as well, so I am glad to see it.
Bong Joon-ho (born September 14, 1969) is a South Korean film director, producer and screenwriter. His 2019 film Parasite became the first South Korean film to receive Academy Award nominations, with Bong winning Best Picture, Best Director, and Best Original Screenplay.
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I don’t think I’m pessimistic at every point, but I want to be honest in the face of the reality that stands in front of us. With Parasite, my thinking was that mankind’s achieved such great development — like the mobile devices we see in front of us but if we think about the past 30 years, has the gap between rich and poor dissipated? Not really. I have a son myself, do I think things are going to improve in his generation? I don’t really think that either. That is the source of a lot of fear, actually. So I wanted to be honest with that fear and sadness and really deliver that.
My main job is not promoting a film, it’s writing scripts, and, of course, I’m doing that right now, in hotel rooms and on flights, but it hasn’t been easy. So there’s a duality with this entire process. Of course, it’s great and exciting, but I’m also desperate to return to my main job as soon as possible.
In this film, it’s very difficult to separate the good ones from the bad ones. Even the rich characters are not your conventional, typical, greedy villains that you see onscreen. I was sympathetic to everyone. I identified with every character, to some degree, but at the same time I also maintained a sense of distance from all of them as well.