and we were started, and I fainted. Metaphorically, that is, because at this point my mind stopped and I switched one hundred per cent on to automati… - John Cleese

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and we were started, and I fainted. Metaphorically, that is, because at this point my mind stopped and I switched one hundred per cent on to automatic, as had happened before on opening nights: you do all the things you’ve practised, like soldiers attacking a machine-gun nest, you switch your mind off and something takes over and does it all for you, provided – PROVIDED – you don’t think. Or even think about thinking. So when I was cued for my first line, the something did it for me. I was then taken to stand on my next mark, and when it was time for me to speak, it did my line for me again. At which point I was taken and put in front of another camera, and told my headmaster monologue was coming up in ten seconds and ‘Just look into the lens,’ and I stared at the Cyclops-like eye of this weird pile of ironwork, and the first line popped into my head, and the floor manager waved to cue me, and whatever it was started doing my lines for me.

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About John Cleese

John Marwood Cleese (born 27 October 1939) is an English comedian and actor best known for being one of the members of the comedy group Monty Python and for co-writing the TV series Fawlty Towers in which he played Basil Fawlty.

Biography information from Wikiquote

Also Known As

Alternative Names: John Marwood Cleese
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Additional quotes by John Cleese

Mrs. Richards: Girl, there's no paper in my room. Why don't you check these things? That's what you're being paid for, isn't it?
Polly: We don't put it in the rooms.
Mrs. Richards: What?
Polly: Well, we keep it in the lounge.
Mrs. Richards: [aghast] In the lounge?
Polly: I'll get you some. Do you want plain ones or ones with our address on it?
Mrs. Richards: Address on it?
Polly: How many sheets? Well, how many are you going to use?
Mrs. Richards: Manager!

Но докато вижданията спрямо псуването и вулгарността се изменят в една посока през последните 40г., друга ценностна система сщкаш застрашава комедията, движейки се наобратно. Говоря за отричащата живота сила, наречена политическа коректност. Това може и да е започнало като добра помисъл, но скоро бе отвлечена и разбрана ad absurdum от няколко индивиди без чувство за мярка - което по орпделение означава, че нямат и никакво чувство за хумор.

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