... as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't thi… - Franz Kline

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... as a matter of fact it is nice to paint a happy picture after a sad one. I think there is a kind of loneliness in a lot of them which I don't think about as the fact that I'm lonely and therefore I paint lonely pictures, but I like kind of lonely things anyhow; so if the forms express that to me, there is a certain excitement that I have about that.. ..What I try to do is to create the painting so that the overall thing has the particular emotion; not just the forms in it.. ..in other words, there's a particular static or heavy form that can have a look to it, an experience that translated through the form; so then it does have a mood. And when that is there, well then it becomes it becomes a painting whereas all the other pictures that have far more interesting shapes and so on, don't become that to me.

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About Franz Kline

Franz Kline (May 23, 1910 - May 13, 1962) was an American painter mainly associated with the Abstract Expressionist group which was centered, geographically, around New York, and temporally, in the 1940s and 1950s; but not limited to that setting. He was a close friend of Willem de Kooning.

Also Known As

Alternative Names: Franz Jozef Kline Franz Rowe Kline Franz Josef Kline
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Additional quotes by Franz Kline

I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don't see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it's just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..

There is imagery. Symbolism is a difficult idea. I'm not a symbolist. In other words, these are painting experiences. I don't decide in advance that am going to paint a definite experience, but in the act of painting, it becomes a genuine experience for me. It's not symbolism any more than it's calligraphy. I'm not painting bridge constructions, skyscrapers or laundry tickets.. ..I don't paint a given object – a figure or a table; I paint an organization that becomes a painting.. ..it's not these things that get me started on a painting.

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