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" "Este livro é o que é, o que significa que ele pode não ser o livro que você espera que seja.
Caitlín Rebekah Kiernan (born 26 May 1964) is an Irish-born American author, paleontologist, and prolific blogger perhaps most famous for the novels The Drowning Girl: A Memoir and The Red Tree. Kiernan is a two-time recipient of both the World Fantasy and Bram Stoker awards.
Biography information from Wikiquote
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It has been my experience that many people actually believe that writers live in a state of perpetual inspiration. Maybe this is the source of that annoying "Where do you get your ideas from?" question. Maybe the people who believe writers live in a state of perpetual inspiration are the same people who ask that question, thinking — wrongly — that there's a trick of some sort involved. And if a writer would but tell them the trick, then they too would have access to the bottomless well of ideas and live in a state of perpetual inspiration. In my case, at least, there is no bottomless fucking well of ideas, and if I only wrote when I truly felt inspired, I'd starve and live in a cardboard box at the corner of Crack and Whore (which is to say, the corner of Ponce and Piedmont). But, that said, there does have to be a spark. What people ought to be asking me is "Where do you get those tiny, little infinitesimally faint sparks that you then somehow manage to blow up into ideas?" Of course, my answer would be, "I have no inkling whatsoever."
Yeah, that’s what I saw. But I learned a long time ago that some stuff I see when I touch these things, some of it can be influence by other people who touched them before me, by what those people believed. If those beliefs are strong enough, Chance, it’s like they can leave impressions behind, the same way that actual events can.
El mundo está lleno de sirenas. Siempre hay una sirena cantándote para hacerte naufragar. Algunos de nosotros tal vez seamos más susceptibles que otros, pero siempre hay una sirena. Puede estar con nosotros toda nuestra vida, o pueden pasar muchos años, décadas, antes de encontrarla o de que nos encuentre. Pero cuando nos encuentra, si no tenemos la suerte de ser Odiseo escuchando la canción con perfecta nitidez atado al mástil del barco, tripulado sin riesgos por marineros con los oídos taponados con cera de abeja… si no tenemos esa suerte, somos otra clase de marino, de la clase que salta por la borda y se ahoga en el mar.