I have always held a notion of a healthy society as one in which the two opposing elements, the conservative and the creative (or radical, or visiona… - Ben Shahn

I look upon my work as a craftsman. I am one of many who practice a craft. I am one of many who have beliefs and fears and hopes, and I want to incorporate those, with all the tools I have learned to use over many years, into what I will call a piece of work. But not a masterpiece-I'd be terrified of that. There is a tendency for the artist to take himself seriously. But if I ever sat down before a canvas with the feeling that I was now creating a masterpiece, I'd lay an egg.

I would not ordinarily undertake a discussion of form in art, nor would I undertake a discussion of content. To me, they are inseparable. Form is formulation-the turning of content into a material entity, rendering a content accessible to others, giving it permanence, willing it to the race. Form is as varied as are the accidental meetings of nature. Form in art is as varied as idea itself. It is the visible shape of all man's growth; it is the living picture of his tribe at its most primitive, and of his civilization at its most sophisticated state. Form is the many faces of the legend-bardic, epic, sculptural, musical, pictorial, architectural; it is the infinite images of religion; it is the expression and the remnant of self. Form is the very shape of content.

Today's conformity is, more than anything else, the retreat from controversiality. Tomorrow's art, if it is to be at all stirring, will no doubt be performed upon today's forbidden territory.