Long ago, many of the small hells that took place in the camps right next to my house showed the joy of living, and tirelessly despite everything - Osamu Tezuka

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Long ago, many of the small hells that took place in the camps right next to my house showed the joy of living, and tirelessly despite everything

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About Osamu Tezuka

Osamu Tezuka (3 November 1928 – 9 February 1989), cartoonist and Japanese animation director best known for creating the manga series Astro Boy, Kimba the White Lion and Black Jack.

Also Known As

Native Name: 手塚 治虫
Alternative Names: Tezuka Osamu
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Additional quotes by Osamu Tezuka

I feel there is sensuality ... eroticism in the primary things that move, like animals and insects. Being able to inspire the movement to still images ... gives me the joy of the creator that breathes life into things that do not have life. The movement must be sufficiently round and sweet ... so express its eroticism. In creating cartoons I always think of an ideal, but ... half the finish to doubt the rightness of what I'm doing. So I put all my expectations always work next. * * [...] I often say jokingly that comics are my true wife and that the cartoons are my lover. The fact that I am fully dedicated to animation, my lover ... is because it allows me to express in a sublime ... the interesting metamorphosis of a changing body. For me, the greatest fun, no doubt, lies in the draw and give movement to change processes. Always look in my cartons this metamorphosis.

Those American comics themselves were heavily influenced by Keaton’s comedies, Mack Sennett, those sorts of films from the golden age of comedy. The gagmen that appeared there, for example Roscoe Arbuckle or Ben Turpin, there were lots of comics that used their style, their faces just as is. Especially Chaplin with his bowed legs and over-sized shoes. Those sorts of features were used directly in comics. In that era, all American cartoonists imitated the stars of comedy. That is what I worked so hard at copying, and so that’s why my comics are bowlegged and big-shoed. At the level of content too I was deeply influenced by the strong social caricatures of Chaplin’s comedies, the tears mixed with the laughter. The biggest influence of all was the rhythm.

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The science fiction and manga readers had the same ... Most fiction writers then had had some experience in the comic and some of it had even been absorbed completely ... I can not understand why those who love science fiction also loves the manga and vice versa. There are two kinds characterized by a biting satire and at worst are called "extravagant". ... Both are aimed toward the future, and therefore contain romantic adventures for young people.

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