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Perched on the southern tip of Africa, far from the centre of anything, many writers have lamented the cultural backwardness, the oppression of livin… - Justin D. Fox
" "Perched on the southern tip of Africa, far from the centre of anything, many writers have lamented the cultural backwardness, the oppression of living in a divided city. Even as Cape Town evolves, grows more cosmopolitan, holds its first Picasso exhibition, becomes an international convention hub, acquires its very own fashion week ... I still can’t help feeling the old unease. Is it the parochialism and cliquishness that outsiders comment on, joking that only third-generation Capetonians are really accepted? Is it the self-satisfied airheads basking at Camps Bay cafés, flicking golden curls and agonising over which cocktail to order? Is it the smug self-sufficiency that comes with having so much beauty on your doorstep that you don’t need to connect with your neighbour? Is it something to do with the schizophrenia of the city not being quite African, of holding onto Europe’s apron strings, of not knowing who or what it really is? Or is it the crime, that ubiquitous topic of so much conversation and so little action, which makes this one of the most violent cities on earth?
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About Justin D. Fox
Justin D. Fox (born May 4, 1967) is a South African author, photojournalist, lecturer and editor.
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Many grand notions and titles have over time attached themselves to this place: a paradise at the southern tip of Africa, the world’s richest floral kingdom, a maritime fulcrum between West and East, a European outpost at the foot of the continent, the Tavern of the Seas. But the two names that are the most potent are also two of the earliest: the contradictory claims of this being both a Cape of Storms and a Cape of Good Hope. The tension between these ideas encapsulates many of the tensions of this city.
We are part of nature and it is part of us. Everything about our species, from the shape of our teeth to the size of our brains, has been fashioned over millennia by our interaction with the plants and animals around us. What’s more, our sense of beauty and our greatest artistic achievements have been crafted in response to nature. Our yearning for wilderness is a hankering after the place we have come from, and from which we have become alienated in the headlong march of so-called progress.
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Jumbled black rocks adorned an otherwise pale, flat landscape of salmons and khakis. Mountains rose in distant ridges. Out there in the Namaqua sea, I found myself thinking of South Africa as an island. Like Robinson Crusoe, I was walking its perimeter, noting the extent of my domain, checking for cannibals, finding fresh water. Sure, there were 47 million others who might make such a claim, but theirs were no more valid than mine, only similar. Beating my drum, singing the land, proclaiming it mine from coast to coast.
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