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" "[On preparing the play My Name Is Rachel Corrie with Alan Rickman] But the quantity of the material left us with a series of questions. How much of Rachel’s life before she went to Gaza should we include? And should we quote other people? The trend in political theatre, from David Hare’s The Permanent Way to Victoria Brittain and Gillian Slovo’s Guantánamo, is journalistic: the use of testimony, of interviews and on-the-record material rather than invention. But for us there could be no re-interviewing to fill in the gaps. We had a finite amount of words to work with, as Rachel was dead. I was very keen to use some of the emails that Rachel’s parents, Cindy and Craig, sent to their daughter while she was in Gaza. They are full of the kind of worries any parent might have if their child was in a dangerous situation, but because Rachel never came home, they have a devastating poignancy. ...
And what about the voices of Rachel’s friends? I interviewed many fellow ISM activists, most of whom have been deported from Israel since her death. We watched tapes of two of the moving memorial services: one in Gaza, which was shot at by the Israeli army, another in Olympia. We viewed documentaries on the subject, most notably Sandra Jordan’s powerful The Killing Zone, and considered using video grabs. But in the end the power of Rachel’s writing meant that, apart from a few short passages quoting her parents and an eye witness report of her death, her words were strong enough to stand alone.
Katharine Sophie Viner (born January 1971) is a British journalist and playwright. She was the first woman appointed as editor-in-chief at The Guardian on 1 June 2015 succeeding Alan Rusbridger. Viner previously headed The Guardians web operations in Australia and the United States, before being selected for the editor-in-chief's position.
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Being open can bring you great scoops, too. My favourite example of this was during the 2009 London protests against the G20 meeting, when our reporter, Paul Lewis, was investigating what happened to a newspaper seller, Ian Tomlinson, who had collapsed and died while walking through the protests. The pathologist reported that Tomlinson had died of a heart attack. We were searching for eyewitnesses.
We put callouts on Twitter and on the Guardian site, and within hours Paul was contacted by a Guardian reader in the US. This man was an investment fund manager who had been in London on business; he'd slipped out of his meetings to have a look at the protests, and film them on his smartphone. On reading our callout at his home in New York, he looked back at his footage, and discovered very clear images showing Ian Tomlinson being shoved to the ground by a policeman. As you can imagine, it was a big scoop.
Although the police officer was acquitted of manslaughter in 2012, he was later dismissed for gross misconduct. The pathologist has been struck off. In August the police settled a civil action by the Tomlinson family by issuing a formal apology and agreeing to pay compensation.
None of this would have happened if the Guardian hadn't been open to the web, with international reach.
I once asked if a friend, a teacher from Huddersfield, could cook for him so that she could put it on her CV – "cooked for Alan Rickman" (it made sense at the time). He not only said yes, but acted as her sous-chef and rustled up a top politician and a Hollywood actor as fellow guests. When asked recently about his proudest Royal Court moment, his answer was not about him: he said it was when he took Rachel Corrie’s parents outside the front of the theatre to show them their late daughter’s name in neon lights.
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Viner likes to deny it but there are antisemites on the daily's staff and she has not had the courage to face them down. For years now I have made a point of sending her a back channel email each time the Guardian has published another outrage. It will be a joy to know that I'm not a part of that anymore.