I’m an idealist and an optimist: all my political work is aimed at helping usher in a better world. I believe that political cartooning should be alm… - Khalil Bendib

I never start from a drawing, as some people imagine. I always start from a precise idea that I mull and perfect until the cartoon is ready to be drawn. This is not conceptual or performance art. There is little room for improvisation, and every barb is premeditated. You decide what topic you’ll tackle, zero in on the absurdity contained within, find a gag, a symbol, or a pun to encapsulate it and then—and only then—draw to the best of your ability.

It struck me at some point after the Arab Spring and the nuclear disaster in Fukushima—both following closely in the footsteps of the Wall Street meltdown—that epochal changes seemed to be finally happening all around us. The hubris of so many tyrannies, whether they be political, economic, or ecological, was starting to be challenged by large masses of people in so many different countries at the same time, and it occurred to me that the title Too Big to Fail would fit equally all these seemingly disparate juggernauts. I must say I have really enjoyed drawing these cartoons. For the first time in my career, despite the various ups and downs that can be expected in revolutionary times, hope finally seemed to be pointing its nose at the end of the tunnel (to mix metaphors like a pro.)

Because of my ethnic background, the Israeli occupation of Palestine is a huge issue for me—it hits me very hard on many different levels.