. . . no good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art. . . . no great m… - John Ruskin

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. . . no good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art. . . . no great man ever stops working till he has reached his point of failure: that is to say, his mind is always far in advance of his powers of execution, and the latter will now and then give way in trying to follow it; besides that he will always give to the inferior portions of his work only such inferior attention as they require; and according to his greatness he becomes so accustomed to the feeling of dissatisfaction with the best he can do, that in moments of lassitude or anger with himself he will not care though the beholder be dissatisfied also. I believe there has only been one man who would not acknowledge this necessity, and strove always to reach perfection, Leonardo; the end of his vain effort being merely that he would take ten years to a picture and leave it unfinished. And therefore, if we are to have great men working at all, or less men doing their best, the work will be imperfect, however beautiful. Of human work none but what is bad can be perfect, in its own bad way.

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About John Ruskin

John Ruskin (8 February 1819 – 20 January 1900) was an English author, poet and painter, most famous for his work as art critic and social critic.

Biography information from Wikiquote

Also Known As

Alternative Names: Kata Phusin Rŏsŭkʻin J. Ruskin John Rosukin Jon Rasukin Dzhon Rëskin Ruskin
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No good work whatever can be perfect, and the demand for perfection is always a sign of a misunderstanding of the ends of art.

Additional quotes by John Ruskin

It is far better to give work that is above a person, than to educate the person to be above their work.

The highest reward for a man's toil is not what he gets for it but what he becomes by it.

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Understand this clearly: you can teach a man to draw a straight line, and to carve it; and to copy and carve any number of given lines or forms, with admirable speed and perfect precision; and you find his work perfect of its kind: but if you ask him to think about any of those forms, to consider if he cannot find any better in his own head, he stops; his execution becomes hesitating; he thinks, and ten to one he thinks wrong; ten to one he makes a mistake in the first touch he gives to his work as a thinking being. But you have made a man of him for all that. He was only a machine before, an animated tool.

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