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" "Italo Calvino said the artist reveals that bit of truth hidden at the bottom of every lie. Art is all about the art of lying. The artist’s imperative is to create a supreme fiction, a lie that, paradoxically, discloses a truth. It's precisely this kind of paradox that Calvino and Fellini adored.
Damian Pettigrew (born Québec, Canada) is a Paris-based Canadian film director best known for the feature-length documentary films Balthus Through the Looking Glass and Fellini: I'm a Born Liar.
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I don’t like making didactic, pedagogical documentaries based on standard formulas of narration: I'm only interested in the ambitious French tradition of the documentaire de création where the film, if successful, is not about something but that something itself. The goal is to incorporate areas of risk and paradox that we associate with cinematic art.
We lunched in Fregene: grilled sardines sprinkled with parsley and lemon. Federico ate daintily, like someone with no appetite. The beach was deserted, the wind brisk. In the distance stood the abandoned lighthouse he filmed for 8 1/2. Like someone about to propose a toast, he stood up and "recited" from King Lear :
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Without once compromising his artistic integrity, Fellini imagined a body of work -- as opposed to a suite of spin-offs, remakes, potboilers and so on -- where each production can be ranked as among the finest of experimental films ever to reach and influence an international public. There is a breathtaking scope to that achievement and great courage in the process: surmounting unbelievable resistance from producers, enemies of all kinds and jealous colleagues, career reversals, and poor health, Fellini held true to his own vision of cinema forged in the smithy of his soul.