It was the possibility of darkness that made the day seem so bright. - Stephen King

Bob Palmer appeared again. "If you have children, ladies and gentlemen," he said quietly, "we would advise that you ask them to leave the room." A grainy shot of a truck backing down a pier jutting out over Boston Harbor, a big olive-covered army truck. Below it, riding uncertainly, was a barge covered with canvas tarps. Two soldiers, rugose and alien in gas masks, jumped down from the truck's cab. The picture jiggled and joggled, and then became steady again as they pulled back the canvas sheet covering the open rear end of the truck. Then they jumped up inside, and bodies began to cascade out onto the barge: women, old men, children, police, nurses; they came in a cartwheeling flood that never seemed to end. At some point during the film-clip it became clear that the soldiers were using pitchforks to get them out. Palmer went on broadcasting for two hours, his steadily hoarsening voice reading clippings and bulletins, interviewing other members of the crew. It went on until somebody on the ground floor realized that they didn't have to re-take the sixth floor to stop it. At 11:16, the WBZ transmitter was shut down permanently with twenty pounds of plastique. Palmer and the others on the sixth floor were summarily executed on charges of treason to their government, the United States of America.

"We'll find him," Stackhouse said. Because if we don't, he thought, I'm toast. This whole place might be toast.

Was there ever a trap to match the trap of love?