I'm always amazed when I go to do stand-up dates and the ad in the paper says, "For Mature Audiences Only." Nothing could be more immature than my st… - Bob Saget

Kids, do not f*ck that sh*t; you'll get an infection.

As a kid I often heard from my mom, as well as from the teachers in every school I attended, that I needed to behave myself and watch how I spoke. Apparently I was a mischievous little bastard. By the time I started out in stand-up at seventeen, I was careful about my language; this helped me get on television shows and go on the road opening for musicians like Frankie Valli and the Four Seasons and Kenny Loggins.
But one day in my early twenties, I snapped. I didn't want to disappoint my mom, but I couldn't take the censorship of it all. Some of the comedians who fascinated me the most — Lenny Bruce, George Carlin, and Richard Pryor — had also felt oppressed by the things you could and couldn't say in public.

In my career I've had the fortune of being able to work continually in radically diverse creative worlds. By day I've done some of the most family-friendly TV imaginable. Then, often in the same day, I've gone onstage in the L.A. comedy clubs and whirled off with an adolescent's delight about my grandma's projectile diarrhea. That in itself could, by many psychiatrists' standards, be a bit of a call for help. I never do it to shock anyone, even though people have sometimes thought of me as a shock comic. If it is a through-line or a constant to what I do, it's not something I'm proud of. But I'm not ashamed of it either. It's more of a handicap. Or, depending on your perspective, a gift. It's what I used to think of as my mania. Now I've come to embrace it. You have to love yourself. But not in a movie theater, because they will tabloid your ass.