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" "You must appreciate beauty for it to endure [...]
Donald Patrick "Pat" Conroy (October 26, 1945 – March 4, 2016) was an American author who wrote several acclaimed novels and memoirs. Two of his novels, The Prince of Tides and The Great Santini, were made into Oscar-nominated films. He is recognized as a leading figure of late-20th century Southern literature. One of his best-known novels, The Lords of Discipline, depicts a fictionalized portrayal of Conroy's first-classman (senior) year at The Citadel in 1966-1967.
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When we talk about the aviators who raised us and the Marines who loved us, we can look you in the eye and say, "you would not like to have been American's enemies when our fathers passed overhead." We were raised by the men who made the United States of America the safest country on earth in the bloodiest century in all recorded history. Our fathers made sacred those strange, singing names of battlefields across the Pacific: Guadalcanal, Iwo Jima, Okinawa, the Chosin Reservoir, Khe Sanh and a thousand more. We grew up attending the funerals of Marines slain in these battles. Your fathers made communities like Beaufort decent and prosperous and functional; our fathers made the world safe for democracy.
Here is what The Boo loved more than The Citadel—nothing, nothing on this Earth. The sun rose on Lesesne Gate and it set on the marshes of the Ashley River and its main job was to keep the parade grounds green. He once told me that a cadet was nothing but a bum, like you, Conroy. But a Corps of Cadets was the most beautiful thing in the world. In World War II, he led an artillery unit during the Battle of the Bulge and he once told me, "The Germans hated to see me and my boys catch em in the open." It is my own personal belief that The Boo's own voice was more frightening to the Germans than the artillery fire he was directing toward them.
I loved these salt rivers more than I loved the sea; I loved the movement of tides more than I loved the fury of surf. Something in me was congruent with this land, something affirmed when I witnessed the startled, piping rush of shrimp or the flash of starlight on the scales of mullet. I could feel myself relax and change whenever I returned to the lowcountry and saw the vast green expanses of marsh, feminine as lace, delicate as calligraphy. The lowcountry had its own special ache and sting.