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It seems to me that having now created an entire literature of female rage, an entire literature of female introspection, women writers are ready to … - Erica Jong
" "It seems to me that having now created an entire literature of female rage, an entire literature of female introspection, women writers are ready to enter the next phase-the phase of empathy. Without forgetting how hard-won our rage was, without forgetting how many puritanical voices would still like to censor our sexuality, I think we must consider ourselves free to explore the whole world of feeling in our writings-and not to be trapped forever in the phase of discovering buried anger...The time has come to let go of that rage; the time has come to realize that curiosity is braver than rage, that exploration is a nobler calling than war.
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About Erica Jong
Erica Jong (born 26 March 1942) is an American author and educator. Born in New York City, Jong graduated from Barnard College in 1963. She is best known for her first novel, Fear of Flying (published in 1973), which created a sensation with its frank treatment of a woman's sexual desires.
Also Known As
Alternative Names:
Erica Mann Jong
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Erica Mann
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Additional quotes by Erica Jong
For women writers the systematic discouragement even to attempt to become writers has been so constant and pervasive a force that we cannot consider their literary productions without somehow assessing the effects of that barrage of discouragement. Often discouraged in the home, often at school, often by families and spouses, the rare woman writer who does not lose her determination along the way is already a survivor. That one should next have to face the systematic discouragement of a male-oriented literary establishment is absurd and sad but nonetheless a real fact of life for many women writers.* (No one has chronicled this repression better than Tillie Olsen in her splendid book Silences (1978).) The truth is that many of us are doomed to do our best work in an atmosphere of condescension and loneliness. Yet perhaps there is some sense in which that lack of establishment approval is a blessing, for an artist must learn (the sooner the better) that he or she works for the work itself, not for approval, and it is easier to establish that sense of creative independence when approval is lacking than when one is seduced by it.
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