The pilot episode of Bayou Brethren was a major disappointment, the visual appeal of high-def hog shit having been seriously overestimated by a netwo… - Carl Hiaasen

It would have been understandable for a mother at that moment to stare at her spoiled, hapless offspring and doubt herself, or at least feel hobbled with remorse. Yet long ago Janet Bunterman had willingly accepted the role of her daughter's primary enabler, exploiter, and apologist, reasoning that such duties were better handled within the family. The fact that the whole pathetic clan was financially dependent on Cherry was the galvanizing force behind her mother's devotion, though Janet Bunterman preferred a more noble rationalization. Even though Cherry didn't write her own lyrics, and the vocals were shamelessly overdubbed, her music still brought happiness to millions of loyal young fans. It was them for whom Janet Bunterman imagined herself sacrificing so tirelessly. (Chapter 16)

[Rudy] didn't give two hoots about certification by the American Board of Plastic Surgery, or the American Board of Facial and Reconstructive Surgery, or the American Society of Plastic and Reconstructive Surgeons. What were a couple more snotty plaques on the wall? His patients could care less. They were rich and vain and impatient. In some exclusive South Florida circles, Rudy's name carried the glossy imprimatur of a Gucci or a de la Renta. The lacquered old crones at La Gorce or the Biltmore would point at each other's shiny chins and taut necks and sculpted eyelids and ask, not in a whisper, but in a haughty bray, "is that a Graveline?" Rudy was a designer surgeon. To have him suck your fat was an honor, a social plum, a mark (literally) of status. Only a boor, white trash or worse, would ever question the man's techniques or complain about the results. (Chapter 30)

In the past he had always counted on Christina to worry about the actual nuts-and-bolts journalism of the program. It was Christina who did the reporting, blocked out the interviews, arranged for the climactic confrontations--she even wrote the scripts. Reynaldo Flemm was hopelessly bored by detail, research, and the rigors of fact-checking. He was an action guy, and he saved his energy for when the tape was rolling. (Chapter 25)