I think I was around 17 years old when I had my first parts in feature films and that’s when I really started to get interested in all of cinema, not… - Gaspard Ulliel

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I think I was around 17 years old when I had my first parts in feature films and that’s when I really started to get interested in all of cinema, not just acting. After high school, I went to film school for 2 years. That was a great moment for me because I discovered a lot of directors from around the world and a lot of different types of genre. It would’ve taken me a long time to make these kinds of discoveries on my own without school, so I’m really thankful. At the time, I wanted to express myself with my own films as a director, but as I was getting more and more offers as an actor, I had to stop those studies to focus on acting. I feel trapped now because I really enjoy acting. But it’s true, I wake up every morning with this idea stuck in my mind that I want to write and direct my own film one day. As I work more and more on different sets, I see how hard it is to be a director. It’s insane the amount of work and confidence that goes into it. I’m so respectful of filmmakers and I admire what they do. I hope that one day I’ll find the right subject and the confidence to try it. I’m still young.

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About Gaspard Ulliel

Gaspard Ulliel (November 25, 1984 – January 19, 2022) was a French actor. He was known for his portrayal of the young Hannibal Lecter in Hannibal Rising (2007), fashion mogul Yves Saint Laurent in the biopic Saint Laurent (2014), and for being the face of the Chanel men's fragrance Bleu de Chanel. He played Anton Mogart / Midnight Man in the Disney+ series Moon Knight (2022). Ulliel was nominated for a César Award for Most Promising Actor in 2002 and 2003. In 2004, he won that award for his role in A Very Long Engagement. In 2017, he won the César Award for Best Actor for his performance in in It's Only the End of the World. He was named a Knight of the Order of Arts and Letters in France in 2015.

Also Known As

Alternative Names: Gaspard Thomas Ulliel
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I have to thank my surgeon who did a great job. It [his scar] almost looks like a dimple. When I was maybe 6 years old, I stayed at my parents’ friend’s country house in France and they had this huge dog. The dog was sleeping on a tree and I jumped on his back like I was riding a horse or something. The dog wasn’t aggressive or mean, but it was just totally surprised when I did that and he tore up my cheek with his big paw. But it’s true, maybe the scar helped me in some way because it adds something to my face. It’s very interesting because it’s asymmetrical. It’s like a dimple that I only have on one side of my face. Many directors have used it for scenes in their films. The most memorable one was in Jean-Pierre Jeunet’s A Very Long Engagement where I’m kissing Audrey Tautou and she runs her finger across the scar. [Laughs]

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Moreover, like everyone, I think, injustices make me angry, even if I am not attached to a particular cause, that I am not campaigning for an association. Sometimes I blame myself, because in my position, I should probably be able to speak for something. But marking my choice is difficult for me. From global warming to child abuse to poverty, my head is spinning. You know, I'm a bit of a nihilist, or at least I define myself as an entropy: for me, the mess in our world is only getting worse. Yes, I know, I say this when I had a child, which is still a huge message of hope. It's a paradox, I know.

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