Be Godzilla. Don't do anything else. Write books about playing Godzilla, talk to reporters about playing Godzilla, but don't do anything else. Just b… - Kenpachirō Satsuma

I hope that we some day will have a big budget and a lot of time in which to do our work. It is my dream to have an American staff and a Japanese staff work together to create a Godzilla film.

I was amazed that the miniature set constructed for GAMERA - THE GUARDIAN OF THE UNIVERSE was so tiny. It's hard to believe that a film made with such a tiny set could receive such good reviews!

The special effects are more sophisticated. The materials and techniques used to construct the monster costumes and miniature sets have improved, and we now use computer graphics. However, the earlier Godzilla films are much more profound. I think the reason for this is the fact that the people who worked on them experienced World War II firsthand. Shinichi Sekizawa served in the South Pacific, and Mr. Honda was a prisoner of war in China for quite some time. The earlier films also are more detailed. For example, there are more reaction shots in them. The expressions on people's faces are shown more often, and the effects of the monsters' actions are shown more often. On the other hand, the newer movies are more contemporary in that they address current issues such as bio-technology and environmental destruction. The earlier films didn't do that as much.