Limited Time Offer
Premium members can get their quote collection automatically imported into their Quotewise collections.
My main difficulty was that I could not paint fast enough. My pictures are all moments of my life – I mean instantaneous visual experiences, generall… - Gabriele Münter
" "My main difficulty was that I could not paint fast enough. My pictures are all moments of my life – I mean instantaneous visual experiences, generally noted very rapidly and spontaneously. When I begin to paint, it's like leaping suddenly into deep waters, and I never know beforehand whether I will be able to swim. Well, it was Kandinsky who taught me the technique of swimming. I mean that he taught me to work fast enough, and with enough self-assurance, to be able to achieve this kind of rapid and spontaneous recording of moments of life.
English
Collect this quote
About Gabriele Münter
Gabriele Münter (19 February 1877 – 19 May 1962) was a German expressionist painter who participated in the Munich artist-group Der Blaue Reiter in the early 20th century. She lived and worked in Murnau with Kandinsky till his forced depart in 1914. She continued painting in her colorful figurative style, mainly the landscapes around Murnau.
Also Known As
Alternative Names:
Gabrielle Munter
•
Gabriel Münter
•
Gabriele Munter
•
Gabrielle Münter
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
Additional quotes by Gabriele Münter
You [the interviewer Edouard Roditi, in 1958] have probably understood that I had always been mainly a plain-air painter, though I also painted portraits and still-life compositions. At first I experienced great difficulty with my brushwork – I mean with that the French call 'la touche de pinceau'. So Kandinsky taught me how to achieve the effects that I wanted with a palette knife. In the view from my window in Sèvres, that I painted in 1906, when we were together in France, you can see how well he taught me. Later of course, here in Murnau, I learned to handle brushes, too, but I managed this by following Kandinsky's example, first with a palette knife, than with brushes.
He Kandinsky had always expressed a great interest in abstraction when we visited Tunisia together in 1904. The Moslem interdiction of representational painting seemed to stir his imagination and that was when I first heard him say that objects disturbed him. Between 1907 and 1910 [the period in which Kandinsky painted his first abstract compositions], he began to rely increasingly on his own theories of art, which many of his friends could understand only with great difficulty.
Limited Time Offer
Premium members can get their quote collection automatically imported into their Quotewise collections.
Our sketchbooks and studies – as well as the paintings and photos, convey the detail of our [Gabriele with Kandinsky, 1905] Tunisian impressions. At times we got along well – at times not at all – we took walks in the city and also in the Belvedere park – it was never boring with my beloved [ Kandinsky ], but we didn't made contact with any other people; he never wanted it.
Loading...