[H]is working-class background became embroiled in a circular logic with his misogyny, where [Russell] Brand's sexism was condescendingly validated b… - Megan Nolan

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[H]is working-class background became embroiled in a circular logic with his misogyny, where [Russell] Brand's sexism was condescendingly validated by his class credentials and vice versa. Brand can't help speaking about women that way, that's just what someone with his background is like, people seemed to shrug – neglecting to recognise that this is not a condition of working-class people. In this way, he was allowed to be openly misogynistic for years, with anyone who objected to his presence dismissed as stuffy, classist or incapable of humour.

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About Megan Nolan

Megan Nolan (born 1990) is an Irish journalist and author from County Waterford. Her debut novel, Acts of Desperation, was longlisted for the Dylan Thomas Prize and was one of the four awardees of the 2022 Betty Trask Award for debut novels.

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Additional quotes by Megan Nolan

In the midst of all this, I've noticed a tonal shift in the way I and other Irish people speak about the English. Our anger is more sincere. We are more ready to call them out on all those centuries of excess, more likely to object to those pink-trousered, pink-faced dinosaurs who still perceive us as their inferiors.

Almost as soon as I began, I was lost. The idea of getting up each day and going to class, of learning over and over again that I was stupid, and crass, and incompetent, did not seem doable. It hadn't occurred to me that I was there to learn, to become less stupid. I felt I had failed already, fumbled the opening pass. I had arrived to university quite mad already and quickly became exuberantly so, drinking litres of gin by night and lying in bed, shaking with fear, all day long.
It wasn't laziness, exactly, that stopped me trying to work, but that fear. It lay immobile on my chest. All of Dublin, but especially Trinity, felt corrupted by some malign force that I couldn't break through.

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It is, sadly, not unheard of for the mother of an abuse victim to side with a romantic partner who is the child’s abuser. Sometimes this expresses itself as blanket denial even in the face of clear evidence, sometimes it is a grim choice born of financial dependence on the abuser, and sometimes it is a consequence of being another victim of the abuser's violence. What is striking, and frankly repellent, about Munro's decision to stand by Fremlin is how lucid it appears to have been, and without any material necessity driving it. Rather it seems to have been a choice made for reasons that are sentimental in a ghastly sense – because she couldn't bear to be alone, to leave this man she loved.

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