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" "The fears of children were simpler and usually more powerful. The fears of children could often be summoned up in a single face... and if bait were needed, why, what child did not love a clown?
Stephen Edwin King (born September 21, 1947) is an American author, screenwriter, musician, columnist, actor, film producer and director. A 2003 recipient of the Lifetime Achievement Award by the National Book Awards, King's books have been enormously successful, and are often featured on bestseller lists. Many have also been adapted into films.
Biography information from Wikiquote
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Somebody had slipped. Either that, or the disease that Charles D. Campion had brought to Arnette was a lot more communicable than anyone had guessed. Either way, the integrity of the Atlanta Plague Center had been breached, and Stu thought that everyone who had been there was now getting a chance to do a little firsthand research on the virus they called A-Prime or the superflu. They still did tests on him here, but they seemed desultory. The schedule had become slipshod. Results were scrawled down and he had a suspicion that someone looked at them cursorily, shook his head, and dumped them in the nearest shredder. That wasn't the worst, though. The worst was the guns. The nurses who came in to take blood or spit or urine were how always accompanied by a soldier in a white-suit, and the soldier had a gun in a plastic Baggie. The Baggie was fastened over the wrist of the soldier's right gauntlet. The gun was an army-issue .45, and Stu had no doubt that, if he tried any of the games he had tried with Deitz, the .45 would tear the end of the Baggie into smoking, burning shreds and Stu Redman would become a Golden Oldie. If they were just going through the motions now, then he had become expendable. Being under detention was bad. Being under detention and being expendable... that was very bad.
There isn't any division of time to express the marrow of our lives, the time between the explosion of lead from the muzzle and the meat impact, between the impact and the darkness. There's only barren instant replay that shows nothing new.
I shot her; she fell; and there was an indescribable moment of silence, an infinite duration of time, and we all stepped back, watching the ball go around and around, ticking, bouncing, lighting for an instant, going on, heads and tails, red and black, odd and even.
I think that moment ended. I really do. But sometimes, in the dark, I think that hideous random moment is still going on, that the wheel is even yet in spin, and I dreamed all the rest.
What must it be like for a suicide coming down from a high ledge? I'm sure it must be a very sane feeling. That's probably why they scream all the way down.
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