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" "Religion. Yes, that's behind all my books. What I am interested in is the relationship between the blundering human being and God. I belong to no church, but I have a religious faith; it's an attempt to express that, among other things, that I try to do. Whether he confesses to being religious or not, everyone has a religious faith of a kind. I myself am a blundering human being with a belief in God who made us and we got out of hand, a kind of Frankenstein monster. Everyone can make mistakes, including God. I believe God does intervene; I think there is a Divine Power, a Creator, who has an influence on human beings if they are willing to be open to him.
Patrick Victor Martindale White (28 May 1912 – 30 September 1990) was an Australian novelist and winner of the 1973 Nobel Prize for Literature.
Biography information from Wikiquote
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Many of those who hear me believe I am putting on an act, while others who had considered I am one who surely knows the answers, are depressed to find that, by my own admission, I don't. What I do know for certain is that what is regarded as success in a rational materialistic society only impresses superficial minds. It amounts to nothing and will not help us rout the destructive forces threatening us today. What may be our salvation is the discovery of the identity hidden deep in any one of us, and which may be found in even the most desperate individual, if he cares to search the spiritual womb which contains the embryo of what can be one's personal contribution to truth and life.
I have the same idea with all my books: an attempt to come close to the core of reality, the structure of reality, as opposed to the merely superficial. The realistic novel is remote from art. A novel should heighten life, should give one an illuminating experience; it shouldn't set out what you know already. I just muddle away at it. One gets flashes here and there, which help. I am not a philosopher or an intellectual. Practically anything I have done of any worth I feel I have done through my intuition, not my mind - which the intellectuals disapprove of. And that is why I am anathema to certain kinds of Australian intellectual.
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I am interested in detail. I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.