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" "Poems are about things and occurrences that we don’t see visually, it’s the needing of beauty and meaning, that’s what poetry can be. In a natural way there are many stories that interweave throughout the film, and the film’s big scene is not just about the tragic event, but it also meets with what poetry is about, they interweave together.
Lee Chang-dong (born July 4, 1954) is a South Korean film director, screenwriter, and novelist, who is well known for his feature films Green Fish (1997), Peppermint Candy (2000), Oasis (2002), Secret Sunshine (2007), Poetry (2010) and Burning (2018).
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To me it seems that films these days are becoming more and more simple, and the audience seems to desire simpler stories. Of course, films sort of shape the desires and the demands the audience makes, so I kind of wanted to go against this trend and see if a film can sort of throw endless questions at the audience. Endless questions about a larger mysterious world.
I’ve always wanted actors to simply and purely feel the emotions rather than feeling like they have to express them. During the film shoot, I tried to have as much conversation with them as I could about the characters and their circumstances. Having conversation was a more effective way of communication than simply giving directions, and I believe it allowed much more freedom for the actors.