What did you do on Armistice Night? My beloved is mine and I am his! - Ford Madox Ford

The exact eye: exact observation: it was a man's work. The only
work for a man. Why then were artists soft: effeminate: not men at all:
whilst the army officer, who had the inexact mind of the schoolteacher,
was a manly man? Quite a manly man: until he became an old woman!

It was astonishing that Mark, who was a millionaire at least, and probably a good deal more, should live in such a dingy apartment – it had for its chief decoration the hoofs of several deceased race-winners, mounted as inkstands, as pen-racks, as paper-weights – and afford himself only such a lugubrious breakfast of fat slabs of ham over which bled pallid eggs.…

Upon my soul!' Tietjens said to himself, 'that girl down there is the only intelligent living soul I've met for years.' A little pronounced in manner sometimes; faulty in reasoning naturally, but quite intelligent, with a touch of wrong accent now and then. But if she was wanted anywhere, there she'd be! Of good stock, of course: on both sides! But positively, she and Sylvia were the only two human beings he had met for years whom he could respect: the one for sheer efficiency in killing; the other for having the constructive desire and knowing how to set about it. Kill or cure! The two functions of man. If you wanted something killed you'd go to Sylvia Tietjens in sure faith that she would kill it: emotion, hope, ideal; kill it quick and sure. If you wanted something kept alive you'd go to Valentine: she's find something to do for it. . . . The two types of mind: remorseless enemy, sure screen, dagger ... sheath!
Perhaps the future of the world then was to women? Why not? He hand't in years met a man that he hadn't to talk down to - as you talk down to a child, as he had talked down to General Campion or to Mr. Waterhouse ... as he always talked down to Macmaster. All good fellows in their way ...