“Scholars of Paderevski Foundation who were fortunate enough to have witnessed the fragments of Swapnavāsavadattam as performed by your splendid acto… - Mani Madhava Chakyar

“Mani Madhava Cakyar with his unfailing urge for complicated , difficult and minute details has enriched the art during the decades of his unparalleled performing life without permitting even an iota of compromise regarding the essentials of traditional style. He has served his Kuladharma ever since his maiden appearance with tireless effort, enthusiasm, perseverance and vigor. He introduced new forms to improve this art form without impairing its tradition. The effectiveness of these innovations which only a genius could visualise and perform has already been proved several times“ - "The Hindu (1989)"

“(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas... Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays” - Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.

“He had his own style. He could convey his thoughts through expressions. His eye movement was superb!” Birju Maharaj- great Kathak dancer, selecting him as one of the ten finest dancers he has known, 2000