After the door closed behind them, there was a moment of silence in the Jolly Jackal. Finally, John, sitting on the floor next to the briefcase conta… - Dave Barry

"Kakimi chertyami oni viigrali holodnuyu voinu?"
This translates roughly to: "How the hell did these people win the Cold War?"

I would certainly never say anything judgemental about another culture, but in certain food-related areas, the Japanese are clinically insane. The new culinary rage when we were in Japan was to eat fish that were still alive. I cannot imagine doing such a thing unless I were really desperate to get into a fraternity, but according to news reports, people were paying top yen in Tokyo restaurants for live, gasping fish. The waiter brings you your fish, still gasping (I mean the fish is gasping, although I suppose the waiter could be, too.), then quickly slices it open right at your table; then you're supposed to eat it while the fish is staring at you with its nearer eyeball and a facial expression that says, "Go ahead and enjoy yourself! Don't mind me! I'll be dead fairly soon!" And that's not the weirdest culinary activity the Japanese engage in. There is also fugu. This is a kind of blowfish that the Japanese eat raw. So far, you are not surprised. You are saying: "Big deal, the Japanese eat a lot of fish raw." Well, what you are apparently not aware of, Mr. or Ms. Smarty Pants, is that fugu contains a lethal poison. The liver of the male and the ovaries of the female contain one of the most toxic substances in nature, for which there is no antidote, which means that if your fugu is not prepared exactly right, with all of the dangerous organs removed, you have encountered the Blowfish of Doom and soon are going to meet the Big Maitre d' in the Sky. Clearly this is a fish that Mother Nature is telling us we should leave the hell under water, but to the Japanese it is a great delicacy.

I am not the only person who uses his computer mainly for the purpose of diddling with his computer.

Despite countless hours of practice, dozens of auditions, many artistic disputes, seven demo CDs, and two radical changes in hairstyle, Arrival never arrived. It wasn't that they were bad; it was just that, as they reluctantly came to understand, they really weren't anything special. They were competent. The problem was, there were competent bands everywhere. Competence wasn't the key to stardom; you needed something else. Whatever it was, Arrival didn't have it. (Chapter 3)