I often tell people The Boo is "the worst book ever written by an American," and I wish I'd written it better. - Pat Conroy

In silence, we watched the water shimmer like a peacock's feather in that shining foil of soft tide in retreat.

During the entire period of my banishment and trial, I wanted to tell Piedmont and Bennington that what was happening between us was not confined to Beaufort, South Carolina. I wanted to tell them about the river that was rising quickly, flooding the marshes and threatening the dry land. I wanted them to know that their day was ending. When I saw them at the trial, I knew that they were the soldiers of the rear guard, captains of a doomed army retreating through the snow and praying that the quick, dark wolves, waiting in the cold, would come no closer. They were old men and could not accept the new sun rising out of the strange waters. The world was very different now.

I've always taken a childish joy in showing off Charleston to strangers in the city. Charleston never lets me down, but this time my tour of the city had an unusual twist. I showed them Charleston through the eyes of the narrator of South of Broad, Leo King. I followed Leo's paper route through the old part of the city, showed them the high points and low points of Leo's career as a child. I showed them the distinguished line of mansions that grace the jacket of the book. To me it composes the prettiest formation of houses in the book. We toured The Citadel and I pointed out the places I had lived when I was pretending to be a cadet, I owe The Citadel more than I can express in words. That day, The Citadel was beautiful in sunlight, and Charleston strutted in the beauty of all its strange elixirs.