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" "It may be granted that Debussy's melodic line is very fluid and elastic, like Wagner's "continuous melody," not definitely sectionalized by balanced phrases or set cadences. But it surely has its own right to existence—music being pre-eminently the art of freedom—and let us remember that Nature herself has melting outlines, shadowy vistas and subtle rhythms. Debussy, in fact, is the poet of the "indefinite" and the "suggestive" and his music has had great influence in freeing expression from scholastic bond.
Walter Raymond Spalding (1865–1962) graduated from Harvard College with an AB in 1887; graduated from Harvard University with an AM in 1888. He taught music at Harvard from 1895–1932 and was Chair of the Music Department from 1906–1932. He is the author of the books Music: An Art and a Language (1920) and Music at Harvard: Historical Review of Men and Events (1935).
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The best eulogy of Schumann is the recognition that many of the tendencies in modern music, which we now take for granted, date from him: the exaltation of freedom and fancy over the mere formal presentation, the union of broad culture with musical technique, and the recognition of music as the art closest in touch with the aspirations of humanity. He was an idealist with such perseverance and clearness of aim that his more characteristic work can never die.