Since i couldn't remember the "real" first time i'd lost my virginity, this would have become my de facto first time. I wanted a better story then: I… - Gabrielle Zevin
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Since i couldn't remember the "real" first time i'd lost my virginity, this would have become my de facto first time. I wanted a better story then: I did it with this boy who i wasn't very into and who had mysterious Gaterade breath; in his room decorated with sports equipment; at least he was nice enough to provide condoms and get his ancient, horny dog to leave us along.
The Beauties" by Anton Chekhov, "The Doll's House" by Katherine Mansfield, "A Perfect Day for Bananafish" by J. D. Salinger, "Brownies" or "Drinking Coffee Elsewhere" both by ZZ Packer, "In the Cemetery Where Al Jolson Is Buried" by Amy Hempel, "Fat" by Raymond Carver, "Indian Camp" by Ernest Hemingway.
A good game designer know that clinging to a few early ideas about a project can cut off the potential for the work. Sadie did not feel the Naomi was altogether a person yet, which was another thing that one could not admit. So many of the mothers she knew said that their children were exactly themselves from the moment they appeared in the world. But Sade disagreed. What person was a person without language? Tastes? Preferences? Experiences? And on the other side of childhood, what grown-up wanted to believe that they had emerged from their parents fully made? Sadie knew that she herself had not become a person until recently. It was unreasonable to expect a child to emerge whole cloth. Naomi was a pencil sketch off a person who, at some point, would be a fully 3D character.
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Theo nodded slowly. "You love Balanchine chocolate like I love cacao."
"I wouldn't say love, Theo."
"No, you speak the truth. Love isn't right. It isn't right for me either. Sometimes I hate cacao." Theo looked at me. "You don't love Balanchine chocolate. You are Balanchine chocolate.