I was recognizable in Kraków because of my family. I felt it as a burden. I tried to cut myself off from the past and build something myself. To beco… - Tomasz Vetulani

I would feel unhappy in a country with whose law and morals I disagree.

I often use old photographs in paintings and collages. During some historical periods photographs have taken on the function of a signature or trademark. Throughout my childhood my 'forefathers and foremothers looked out from a photographic heaven' with a very real and often threatening presence. In fact, often in the works where I incorporate old photographs the works become personal 'maps of conscience'.

I have been working with silicone for years. While I was still studying, I painted on unusual materials, for example on a soft felt. I like material that easily surrenders – you can tame them and “go out” to the third dimension, and at the same time sanctify something that is considered ordinary. Once, I painted on sponges over twenty centimeters long, which create a great illusion of sandstone.