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" "[On politics in the 1960s] There was a feeling that there was a great possibility of political change. Obviously, no one knew in what form it would come, but there was a sense that the working class was getting politically conscious, particularly those involved in occupations and industrial disputes.
The quality of political discussion was higher. People understood die analysis even if they disagreed with it.
Kenneth Charles Loach (born 17 June 1936) is a British film director and screenwriter. His films, which commentators consider socially aware and to display socialist ideals, are themed around issues such as poverty (Poor Cow, 1967), homelessness (Cathy Come Home, 1966), and labour rights (Riff-Raff, 1991, and The Navigators, 2001). Loach's film Kes (1969) was voted the seventh greatest British film of the 20th century in a poll by the British Film Institute. Two of his films, The Wind That Shakes the Barley (2006) and I, Daniel Blake (2016), received the Palme d'Or at the Cannes Film Festival, making him one of only nine filmmakers to win the award twice. Loach also holds the record for most films in the main competition at Cannes, with fifteen films.
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The whole antisemitism issue has been substantially revealed as a campaign that is not based on fact.
It's based on political determination to do a number of things, to remove people from the left, to protect the state of Israel, which many people, many Jewish people in the Labour Party, oppose, oppose this campaign.
But Loach was not always a lefty – far from it. At school, he represented the Tories in a mock election. "I don’t think too much should be made of that," he says. I had assumed he was playing devil's advocate, or it was just a passing teenage whim, but no, he says: these were the values with which he was brought up. Loach's father was an electrician who became a foreman in his factory in Nuneaton – a classic working-class Tory, he says.
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