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since the days of the great martyrs, that woman was ready with the same gift of self, the same patience, the same sacrifices, the same greatness of soul and was about — less perhaps in blood than in tears, for it is always on her that sorrow ends by falling — to prove herself the rival and the peer of man.
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she swore in good mouth-filling oaths, but never smutty ones, and that was uncommon. She knew the prosody of profanity. . . . she knew the tune, as well as the words. She was not a raving beauty, but she had fine eyes and a Pre-Raphelite air of being too good for this world while at the same time exhibiting much of what this world desires in a woman, and I suppose I gaped at her and behaved clownishly.
Hers was simply not a pew-shaped spine. “I just never had a reason ever to sit in a church,” she had told people. She wasn’t vehement about it. She just walked around and lived and moved her hands that were pebble-smooth and pebble-small. Work had polished the nails of those hands with a polish you could never buy in a bottle. The touching of children had made them soft, and the raising of children had made them temperately stern, and the loving of a husband had made them gentle.
She never had public favor; it was a bit like the Hillary Clinton thing. She did all the right things for her country, but she wasn't ultimately revered. So she had a conversation with her confidant-adviser. She asked him, when have they ever looked up to or idolized a woman? Only one, he told her, the Virgin Mary. So she said, Then I will become like the Virgin Mary, and she did. She created a facade for herself; she stopped having lovers; she became like a virgin. She became sexless, and painted her face in a white alabaster way, and turned herself into an icon that was untouchable and sexless, and then she had everybody's respect.
She sat with great intensity, giving the whole of her mind to it, and was capable of remaining for an hour almost as motionless as if she were before a photographer's lens. I could see she had been photographed often, but somehow the very habit that made her good for that purpose unfitted her for mine. At first I was extremely pleased with her lady-like air, and it was a satisfaction, on coming to follow her lines, to see how good they were and how far they could lead the pencil. But after a few times I began to find her too insurmountably stiff; do what I would with it my drawing looked like a photograph or a copy of a photograph. Her figure had no variety of expression — she herself had no sense of variety. You may say that this was my business, was only a question of placing her. I placed her in every conceivable position, but she managed to obliterate their differences. She was always a lady certainly, and into the bargain was always the same lady. She was the real thing, but always the same thing. There were moments when I was oppressed by the serenity of her confidence that she WAS the real thing.
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